![]() ![]() Instead, we’ll be focusing on building you something small, practical, and inexpensive. This article is not a guide on how to set up the perfect high-end finishing facility for major motion pictures you hire an engineer for that. You won’t be starting with a high-end finishing facility like colorist Ian Vertovec uses at Light Iron. There are long forum threads on what specific paint color you have to use, what lights you need to order, and confusing directions on what monitoring is considered acceptable. But the world of color has traditionally been full of smoke and mirrors. ![]() So if you’re thinking of building a small color suite, you’re not alone. With remote work becoming widespread, being able to grade or evaluate in-house is becoming essential. As workflows evolve, it’s increasingly common to see color grading move out of the traditional color suite or finishing house and into the production company or agency-or even into the client’s office or home for approval.
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